Two Tessellations by Felino Soriano

Various Tessellations 1

—after Albert Ayler’s Bells





or strict ideologies of hands

            whose harm have dissipated                wholly, variant



desolation of the elongated echo

vibratory sensation as finger into

                        swollen memory

pointed

toward

poignant

                                                                                    resuscitation 

                                                collocated reality

burned by noon’s structural habit



against church of neared                      entwining

                  faith then darkened belief



travelling oval contours of



ringing’s

                                                            voluptuous engaging with

                            indifferent monologues of

prose’s achromatic



                                                                                    impulse, extracted.  







Various Tessellations 2



—after Jean-Michel Basquiat’s Profit I







Algebraic queries the 

                                                monetary portend 

                                                                                    or

equation’s solitude of hanging afterward

            as the leaf

apparent trilogy of sway                      commands an oddment into



            warp of seasonal excuse, suspend then



wear vein as wrinkled inlay, skeletal crunch displayed by hand of yanking

ornamental apparition.  Who



                                                            leans with hands at grading notion, arrest or freedom at

disciplined intervals?  Halo of stitched deaths, worn

amid nakedness of fear’s prolonged hallway:



eyes of timid torch, lit

half-litany 

                        spoken affirmation of                          the body’s modular                  expedited



syllables.